Script girl redirects here. For the Hollywood script sales video blog, see Script Girl. A script supervisor (also called continuity supervisor) is a member of a film crew and oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scene. They are also responsible to keep track of the film production unit's daily progress. The script supervisor credit typically appears in the closing credits of a motion picture and is listed on IMDB under Misc. crew, even though they have a crucial role in the shooting of a film. In the most basic description, the script supervisor is the editor's and writer's representative on set, as well as being the right hand aide to the director and the director of photography. It is the script supervisor's job to make sure that at the end of the day the film can be cut together. In that sense, they back up every department, monitor the script during shooting and make sure that errors in continuity do not occur that would prevent the film from being able to be compiled smoothly in the editing room. In pre-production, the script supervisor creates a number of reports based on the script, including a one-line continuity synopsis providing basic information on each scene such as the time of day, day in story order, and a one line synopsis of the scene. These reports are used by various departments in order to determine the most advantageous shot order and ensure that all departments, including production, wardrobe, set dressing, hair and makeup, are in sync in regards to the progression of time within the story. Contents 1 Responsibilities 2 Earlier terms 3 References 4 See also Responsibilities[edit] During production, the script supervisor acts as a.
A production crew - big or small - has structure; each member of the crew plays a unique and critical role in the filmmaking process. Like any industry, the production community has its own language, a glossary of terms used on set every day. Have you ever wondered what those weird sounding jobs on a film shoot are? Have you ever wondered how each crew member on a film shoot works with the other? Check out our Glossary of Film Terms to learn more. | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z ABBY SINGER The penultimate shot of the day. Named for an Assistant Director known for calling “ Last Shot” when he really wanted to do one more afterwards. ACTION The Director or Assistant Director's cue to the actors that shoot is beginning. Camera and Sound Departments are called earlier with the command, ROLL, ROLL PLEASE, or ROLLING. ADDED SCENE Scene that is added after the script is finished. Typically these scenes will be labeled with an A, i.e. a scene added between scenes 1 and 2 is called scene A2 ASSOCIATE PRODUCER Producer typically responsible for post production work. ATMOSPHERE, BACKGROUND Term for extras in a scene. The Assistant Director will call Background or Background Action so that these extras will begin their work just before the main actors are cued. ND ATMOSPHERE or ND CAR is where ND stands for non-descript. This is when the Director wants extras or vehicles that will make the scene realistic but won't distract the audience from the action. ND extras and cars can be reused. BACK TO ONE, RESET, FROM THE TOP, SAME AGAIN PLEASE Terms which all mean that the cast and crew should return to their initial positions to prepare for another take. BELLS Usually a Set PA will ring a loud bell three times, to let everyone know to be quiet during sound recording. The mixer will ring the bell one more time.
Ever spent countless hours filming only to discover crucial continuity mistakes, rendering your film a mess? Preserving your film’s continuity is key to maintaining the script’s credibility. You’re on set. The entire crew is hard at work on the last scene before you wrap. The lighting is perfect, your camera operator has an amazing shot, excellent audio, and the actors are all delivering. You complete the scene in a timely fashion thanks to your crew’s excellence. After wrapping your film, post-production immediately begins. In editing, you discover that your film cannot be cut. Despite your crew’s professionalism and excellence, your film lacks consistency: there are tons of continuity errors. Who was maintaining this continuity (or lack of it)? The script supervisor (called the continuity supervisor in the UK) has the extremely important task of maintaining your film’s continuity from shot to shot. They are essentially the editor’s representatives on set. When every shot, action, and motion is consistent in your film, then you have achieved good continuity. The shooting schedule for a film may continue over a period of a few days, months, or even years. This places an even greater emphasis on maintaining proper consistency between shots. Responsibilities of a Script Supervisor It is the job of the Script Supervisor to make a log of every action that is shot: What was the camera shot (close up, medium, wide, etc)? Were there any technical problems with lighting, camera or audio equipment? Is the take a Print ( P No Good ( NG) or BUST? Did your director want you to notate any particular take as the one to stand out? Were there any complaints or special notes from either your Do P ( Director of Photography) or director? The majority of feature and short films are shot with only one camera. Of course, the director or Do P may prefer more coverage for a scene. This would.
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